"Mad Cow's production, heady and muscular and sharp, makes you grateful for the kind of theater that incites you to think."
(The Orlando Sentinel, The Life of Galileo)

"Mad Cow's quick-witted production may lead you to one observation further -- that one of the great pleasures of downtown Orlando is going to Mad Cow to think." (The Orlando Sentinel, The Life of Galileo)

"There may be any number of reasons to see this production - to laugh,
to learn to be enlivened - but the best one I can think of is to see
a swell little theatre company at its best."
(The Orlando Sentinel, Candida)

"At a time when it feels most welcome, Mad Cow ………..
could hardly be more sublime."
(The Orlando Sentinel, The Fantasticks)

"The actors in The Laramie Project change your ideas, not only about Laramie but about what theater can be."
( The Orlando Sentinel, The Laramie Project)

"Performances are among the best Orlando theater has to offer"
( The Orlando Weekly, The Laramie Project)

"The extraordinary result of the company's year-long exploration
into the mind of Anton Chekhov"
(Orlando Sentinel, The Cherry Orchard)

"With a strong supporting cast and a pack of really cheap cigars, Mad Cow takes a dangerously safe play and reinvigorates it."
(Ink 19, The Odd Couple)

"They find real human frailties beneath the sisters' fragile skin……….
A bittersweet look at how families can do you in and
how they can keep you going. "
(Orlando Sentinel, Crimes of the Heart)

"An accomplished work that is consistently life-affirming and precious ….. Fantastic performances all around"
(orlandocitysearch.com, Crimes of the Heart)

"Mad Cow's company of actors seamlessly excels in a style of hyperrealism that captures the elan vital to these deep characters" (Orlando Weekly, The Cherry Orchard)

"Pretty close to perfect"
(Orlando Sentinel, The Odd Couple)

"A powerful retelling of Williams' Menagerie"
(The Glass Menagerie, The Orlando Sentinel)

"Mad Cow brings it to you whole"
(The Glass Menagerie, The Orlando Sentinel)

"Mad Cow's production is intriguing, entertaining and insightful …
shows the heights to which a theater can climb"
(Orlando Weekly, The Chairs)